Now and Then.

Who the...?

Harendra Kapur.
Kyra Mathews.
Tejas Menon.

Sherlock Holmes: A Review

Sunday, January 10, 2010


Ello All,
This won't be a very long post. The film scarcely deserves a decent length review.
Don't get me wrong- it's not that the film was bad or anything. It just wasn't very good either.
I read a review some weeks ago and I decided to pay no heed to it. I am a Guy Ritchie loyalist and I will not lose faith.
And it is hard to blame the guy solely. There is some EXCELLENT action in the film and he's got some killer slow motion sequences as always but beyond that there's very little he could have done.
If I had to blame anything it'd be the script. The plot line is nice and all but better suited to a 42 minute show on TV.
The acting as well is good but there's rarely anything worth remembering. Robert Downey Jr and Jude Law have phenomenal chemistry but, end of the day, you could have put any two actors and their British accents instead and it'd be hard to tell the difference.
The only actor who comes out with any real merit for me was Mark Strong.
Generally, it was just an underwhelming experience and I do believe the script was just never worth the cast or director. Yes it's a fresh take on Holmes and indeed it is funny at times but I did not come out with anything but a shrug.
His deductions are very good and him and Watson are an excellent team and yes he's quite a character with some brilliant inventions/ observations but none of that leads to anything bigger. It's just a whole lot of foreplay.
A special mention must go the awesome score, and the awesome closing credits sequence.
This movie was meant to herald in 2010's list of bad ass releases.
I hate Madonna.

Boston Legal: Clever Clever

Friday, January 8, 2010


Ello all,

Over the last few days, I have started to re-ignite certain fires I once had which had somewhat subsided. Conspiracy theories, ethics, and the long winded thoroughly idealistic pursuit of truth.

As such, seemingly unintentionally, I watched three films which have me in a 'mad' stir. The first one is Zeitgeist Addendum, the much improved follow up to Peter Joseph's first documentary. While most of what is suggested and proposed throughout the film is not entirely sound the facts and information put forth are at the absolute least overwhelming.

So I watched Good Night and Good Luck. A stunning, beautiful movie about some of the greatest journalism in modern times with just phenomenal lucidity.

Which led to the third film. I've been aching to watch it since the first Zeitgeist where we were shown clips from it and sure enough, it did not disappoint. Network, the edgy, gutsy painfully truthful film surrounding one Howard Beale. (What surprised me most, is that a film so ideological, could feature such beautiful thoughts on love.)

But what do any of these films have to do with Boston Legal?

Let me put it this way- All three films have had great critical acclaim and relatively less public appeal, therefore reinforcing that old idea that being idealistic and honest and making money do not go hand in hand.

In fact to many, me included, it always seemed like the gulf between hard hitting truth and good entertainment was too wide to bridge. So why should a television channel air facts about how horrid our world is today when they could just show you an episode of Desperate Housewives?
The people want it, they'll say. At 9 pm after a long day of work people want escapism and underwear not morality and debate.

And then Boston legal came along with the perfect balance. A quirky, funny show about lawyers and courtroom dramas that forces you to hear facts and question things. As fun and light as Ally Mcbeal and as gut wrenching as The Practise. No surprise it took the same man, David E Kelley to find the thing that'd join them so perfectly.

All three films I mentioned earlier raise the question about the responsibility of the Mass Media. About WHAT it should do WITH it's power and not how it should extend it.

And yet none of them quite utilised it's power fully. This playful drama has taken every single factor that makes television viewing exciting and used it responsibly like no other show I can think of, to get some kind of ideas out there.

I don't know statistically or otherwise what Boston Legal has achieved and I don't know whether or not it's just disguised itself intelligently. What I do know is, from the chair I'm sitting in, someone is trying and someone has found a way to make being articulate and intelligent cool again.

And even if you take away this seemingly bigger picture, the show features some of the freshest comedy on offer and has broken the fourth wall in some rather spectacular ways. Denny Crane going "Is the show over already?" Genius.

I miss the likes of George C Scott and Peter Finch. Intense, articulate actors who could shake you with a monologue.

I take great comfort in knowing the likes of James Spader are hear to lead a new line of awesome.

Norah Jones: Falling in Love with The Fall

Thursday, January 7, 2010


I have never been able to sing to save my life, and it is something I have made my peace with over the years. However, I whole-heartedly admire those who do sing, including Harry and Tejas and am content with being the only WeTheMember with zero vocal abilities.


One voice, in particular, I fell in love with some years ago, and I wished and hoped and prayed that her voice were mine. Despite the fact that after her debut album, much of her music has been disappointing, I stayed true to my love of her voice, her lazy croon, a voice that always made me want to curl up under covers with a book and a great sense of well-being. I stayed loyal to Norah Jones’ warm jazzy croon for 9 years, including the release of her new album, The Fall. 


While I downloaded The Fall in November, somehow I never found the time to listen to it until some days ago, on a long bus ride in an attempt to mar my thoughts. Norah didn’t let me down. While her last few albums have been mediocre imitations of her debut album “Come Away With Me”, her latest album shows that YES, she is willing to experiment with her beautiful voice, and isn’t afraid to step out of her comfort zone. Instead of falling back, yet again, into her jazzy/bluesy comfort zone, Jones has now stepped into rocknroll, leaving her trusty piano behind to embrace a guitar instead. 


The Fall, the result of a painful break-up, is a beautiful album that reaches out to lonely nights and heartache. Her lyrics are raw and honest, and soothe you where it hurts. Listening to this album, gives you the same comfort that a bartender gives you over many martinis. He doesn’t know you, but he exudes understanding. Norah Jones and I have never met, but in the three hours I spent with her in a bus, I knew that on some strange level, she understood. 


My personal favorites in The Fall, are “Back to Manhattan”, where in her unique voice she sings, “I’ll go back to Manhattan/ It’s just a train ride away/ I know nothing ’bout leaving/ but I know I should do it today” I identified with it instantly, because if you switched Manhattan for Sharjah, and a train for a bus, that was me in a nutshell. My other favorite is “Man of the Hour”, which is Jones’ ballad to her dog, where she croons: "And though we’ll never take a shower together/I know you’ll never make me cry/You never argue/You don’t even talk/And I like the way you let me lead you when we go outside and walk/Will you really be my only man of the hour?” A song that not only made me think of Harry and the comfort he derives from his dogs (a comfort that made me jealous sometimes), it also gave me my first smile in days. 


And since just recently, I listened to someone wax poetic on converting pain into art, my admiration for Norah Jones has now transcended into more than just coveting her voice. She took her pain, and her brokenness and she used it. She reinvented herself, removed herself from what was comfortable, and leaped. Even the most ardent haters of Norah Jones cant call The Fall yet another reproduction of her debut album. She took a risk, and emerged triumphant. She fell and is better for her Fall. 


P.S – The dog on the cover, is unfortunately NOT Norah Jones’s man of the hour. He is just a beautiful dog named Ben. Her actual Man of the Hour, is a 20 pound poodle, who according to Norah Jones, would have created chaos if allowed on any set. Ben, in my opinion however, would be the perfect Man of any Hour, non? Isnt he just beautiful? 


The All of us.

The All of us.